NOW AVAILABLE! UCLA’s 2019 Hollywood diversity report is hopeful for a more inclusive future in the industry and argues that "diversity is essential for Hollywood’s bottom line.” EMAIL ME. And their findings—unveiling an all too familiar tale of two Hollywoods—are about as alabaster as you imagined. But they were underrepresented by a factor of twelve-to-one as film directors and three-to-one as film writers. Darnell Hunt, director of UCLA’s Ralph J. Bunche Center for African American Studies and co-author of the Hollywood Diversity Report, noted that … “By contrast, films with the most racially and ethnically homogenous casts were the poorest performers. According to the AIR standards, a film … Minorities accounted for the majority of ticket sales for five of the top 10 films in 2017, as well as half of the ticket sales for a sixth.”, “Unfortunately, the industry has been much slower to accept the related truth that its success in providing today’s (and tomorrow’s) audiences with what they crave also hinges on the presence of diverse talent behind the camera — in the director’s chair, in the writers’ room, and in executive suites,” the report said. In broadcast television, the same three agencies represented more than two-thirds of show creators and more than half of the leads. Hunt is director of the center and a professor of sociology. This is the second annual study exploring diversity in Hollywood released by UCLA. © 2021 The Hollywood Reporter, LLC. In 1993, he served as a media researcher for the U.S. Commission on Civil Rights hearings on diversity in Hollywood. Hollywood’s diversity problem is no secret. A UCLA study released Wednesday slammed the entertainment industry for its persistent and dramatic underrepresentation of minorities and women onscreen and behind the scenes, with the study’s chief author telling The Hollywood Reporter in an interview that “there are a lot of industries that do a better job than Hollywood” in forging workforces that reflect the nation’s diversity. HOLLYWOOD DIVERSITY REPORT 2018: FIVE YEARS OF PROGRESS AND MISSED OPPORTUNITIES. Through examining existing diversity and inclusion programs in the entertainment industry, and conducting interviews with industry gatekeepers, like studio executives, talent agents and union leaders, the UCLA researchers developed five key … Twitter: @jhandel. Part 1, which focuses on 2018 and 2019 Hollywood theatrical films, was released in February 2020. To DOWNLOAD the “ 2015 Hollywood Diversity Report: Flipping the Script,” CLICK HERE. UCLA's Hollywood Diversity Report found that women hold only a third of studio chair and CEO jobs and minorities just eight percent. In response to the threat to the Hollywood Reporter Building, the Art Deco Society of Los Angeles nominated the Streamline Moderne building for designation as a Historic-Cultural Monument (HCM) in May 2017. Bookmark The Hollywood Reporter’s Labor Page for the most in-depth coverage of entertainment unions and guilds. The study, titled “2014 Hollywood Diversity Report: Making Sense of the Disconnect,” focused on the top 172 American-made movies from 2011 and more than 1,000 television shows that aired on 68 cable and broadcast networks during the 2011-­12 season. The Bunche Center at UCLA releases the “2014 Hollywood Diversity Report: Making Sense of the Disconnect.”” To download (and now print) a copy, CLICK HERE.. To read the UCLA press release, CLICK HERE. | EU Privacy Preferences. The Hollywood Diversity Report (HDR) has moved to the UCLA College, Social Sciences Division under the Dean’s Initiatives. UCLA Belloni pointed to the Hollywood Diversity Report’s finding that 100 percent of chair/CEO-level film executives are male and 94 percent are Anglo, while 96 percent of chair/CEO-level TV executives are Anglo and 71 percent are male. Told that the DGA had recently achieved contract language that requires each major television studio to establish a formal diversity program by July 1, 2014, Hunt said that “there may be some positive change there [but] we’ll have to wait and see.” He added that he hoped the WGA (now in negotiations) and SAG-AFTRA (with negotiations upcoming) would be able to add additional diversity language as well. The Bunche Center released its fourth annual Hollywood Diversity Report examining diversity and the bottom line in the entertainment industry.. To read the UCLA Newsroom story, Click Here. Terms of Use | Which brings us to the fine folks at UCLA, who’ve just released the first part of their seventh annual 2020 Hollywood Diversity Report. UCLA's 2019 Hollywood diversity report finds that despite gains for women and people of color in front of and behind the camera, they remain underrepresented in the industry. The report is based on the top 200 theatrical film releases in 2017 and 1,316 broadcast, cable and digital platform television shows from the 2016-17 season. However, during my summer internship at Harrah's, I had the chance to be a part of a diversity training program, where I learned that there are over 50 ways to measure diversity. Yet less than 10 percent of this talent was minority, according to the study. AdChoices This has been an amazing campaign for our landmark research effort on race and diversity in entertainment, and we could not have made it this far without the help, support and generosity of all of you – from our $10 donors to our $1000+ donors. Movies with 31 percent to 40 percent minority casts — … Thank you to everyone who made a contribution to the UCLA Ralph J. Bunche Center’s Hollywood Diversity Report. America is infinitely more diverse than it was. In broadcast TV comedies and dramas, minorities were underrepresented by a factor of seven-to-one, the study found, while the ratio on cable and in reality programming was two-to-one. Wonder Woman took moviegoers by storm in 2017, taking in more than $820 million in ticket sales worldwide. Scott Collins is a former staff reporter for the Calendar section of the Los Angeles Times. “That’s the sweet spot,” he says. WireImage. TWITTER It examines The report said that there has … Let’s dig in. The Hollywood Diversity Report series primarily examines the relationship between diversity and the bottom line in the entertainment industry. But women remained underrepresented on every front in 2016-17, including 32.9% in film leads, 12.6% among film directors and film writers, 39.7% in broadcast scripted leads and 43.1% among cable scripted leads. On cable TV, no minority-created comedies or dramas won Emmy awards. Even though minorities account for 36.3 percent of the overall U.S. population, they represent 44.1 percent of frequent moviegoers and tend to watch more hours of television each week than white viewers, according to the study’s authors. So the gap has gotten bigger between where America is going and where the industry is going.”, STUDY: PG-13 Films Combine as Much Violence, Sex and Alcohol as R-Rated Titles. The deck is pretty heavily stacked, he said. UCLA released the second part of their Hollywood Diversity Report which puts the last two seasons of TV under the microscope and the findings are not that surprising. This year’s report shows findings after surveying the top 200 films in 2012 and 2013, as well as every broadcast, cable and digital TV series during that same time period. As Hollywood tries its best to… The study found … By Dec. 28, Los Angeles County was averaging 14,000 new cases and 73 deaths per day; as of Jan. 7, that average had soared to nearly 20,000, with 218 deaths per day. This is the seventh in a series of annual reports to examine relationships between diversity and the bottom line in the Hollywood entertainment industry. Relative to their male counterparts, women posted gains in seven of the 12 key Hollywood employment arenas since the previous report — among film leads, film directors, broadcast scripted leads, broadcast reality and other leads, cable reality and other leads, cable scripted show creators, and digital scripted show creators. In cable, the three agencies represented more than two-thirds of show creators and nearly half of all leads, but only 6.1 percent of these creators and 13 percent of these leads were minorities. Women and people of color are getting more screen time on television, but those who hold the power — and the purse strings — in the industry are “still overwhelmingly white and ma… The study took aim at talent agencies as well. More than 90 percent of the Oscar-winning films in 2011 had male directors, and more than 80 percent of Oscar-winning films featured male leads. (Yes, I know I said this last year. This year’s report shows findings after surveying the top 200 films in 2012 and 2013, as well as every broadcast, cable and digital TV series during that same time period. For any inquiries regarding HDR sponsorship opportunities, please contact Julie Strumwasser at jstrumwasser@support.ucla.edu. The Hollywood Diversity Report series of annual reports has transferred to the Division of Social Sciences at UCLA. The UCLA researchers came up with the phrase Authentically Inclusive Representation (AIR), which aims to redefine how true diversity can be measured. E-mail: jhandel99 at gmail dot com There were plenty of calls for change, and for pushing forward with more diversity in the Hollywood system. “To the extent that you’re not catering to diversity, you’re probably depressing your business.”. *A new report from the UCLA-based Center for Scholars and Storytellers found that Hollywood studios could lose money from movies that lack diversity. HOLLYWOOD DIVERSITY REPORT 2020 INTRODUCTIONINTRODUCTION Hollywood Diversity Report 2020: Part 1 This report is the seventh in a series of annual studies produced by UCLA’s Institute for Research on Labor and Employment (IRLE) to explore relationships between diversity and the bottom line in the Hollywood entertainment industry. Penske Media, owner of over 20 leading media brands, is looking for a skilled editor to join the video team at The Hollywood Reporter, Billboard and Vibe in our Los Angeles office. This report is the fifth in a series of annual studies originally conceived by the Ralph J. Bunche Center for African American Studies at UCLA to explore the relationships between diversity and the bottom line in the Hollywood entertainment … Crazy Rich Asians, a new Hollywood film that is an adaptation of the best-selling book by Kevin Kwan, topped the box office over the weekend, proving the “power of diversity (again).” The romantic comedy is a major motion picture with big studio backing and a reported budget of $30 million. 2016 Hollywood Diversity Report i About the Center For more than 45 years, the Ralph J. Bunche Center for African American Studies at UCLA has supported multidisciplinary research that expands our knowledge about the history, lifestyles, and sociocultural systems of … NEW! Your gift will make a difference! Hunt is pessimistic that the situation will change anytime soon. The report, titled “Old Story, New Beginning,” is the sixth in six years from the center. Minorities and women have registered gains in several key areas of television but women continue to lag in movies, according to a report issued Thursday by the Ralph J. Bunche Center for African American Studies at UCLA. Variety and the Flying V logos are trademarks of Variety Media, LLC. “There are certain major projects that you just don’t get to be part of unless you have a connection with one of these top agencies,” says Ana-Cristina Ramon, co-author of the study and the assistant director of the Bunche Center. UCLA's 2020 Hollywood Diversity Report shows improvements in diversity for actors, writers, and directors, but not in major studio roles. All rights reserved. Lupita Nyong’o Opens up About Diversity, Her Acting Career & More in ‘Hollywood Reporter’ Interview News - 1 year ago Robyn Mowatt Robyn Mowatt is a staff writer at Okayplayer where she… Click Here. “There’s a self-fulfilling prophecy at work, a vicious cycle,” he added, when minorities and women are passed over for opportunities. As film directors, minorities were underrepresented by a factor of three-to-one; as film writers and as creators of comedies and dramas on cable, the ratio was five-to-one; and as creators of broadcast comedies and dramas, nine-to-one. Hollywood Diversity Gains in TV but Falls Short in Movies ... according to a report issued Thursday by the Ralph J. Bunche Center for African American Studies at UCLA. UCLA's latest diversity report predicts a $159 million movie lacking authenticity from diverse voices will lose $32.2 million in its first weekend, and potentially $130 million in overall box office. The new report, titled 2020 Hollywood Diversity Report, which is a product of the division of social sciences at UCLA and is co-sponsored by the UCLA Institute for … EXCLUSIVE STUDY: Just Prior to Anniversary of Sandy Hook Massacre, TV is Awash in Violence. According to the 2015 Hollywood Diversity Report, which was produced by the Bunche Center for African American Studies at the University of California, … Help UCLA raise $10,000 for the project: The Hollywood Diversity Report. In the study titled “Beyond Checking A … Women appeared as leading actors in about 52 percent of broadcast comedies and dramas studied, a proportionate share. The study, prepared by a team led by Darnell Hunt of UCLA’s Ralph J. Bunche Center for African American Studies, found that ethnic minorities were underrepresented as lead actors in films by a factor of more than three-to-one -- that is, they appeared as leads at less than one-third the rate that would be expected based on their proportion of the population, which the study said was about 36 percent. In UCLA’s 2019 Hollywood Diversity Report (which can be read here), they evaluated 200 top-grossing films from 2019. Hunt said progress in film remains elusive. 2014 Hollywood Diversity Report The numbers of acting jobs for women and people of color are getting closer to being proportionate with the U.S. population overall, according to UCLA’s © Copyright 2021 Variety Media, LLC, a subsidiary of Penske Business Media, LLC. UCLA has released Part 1 of its annual Diversity Report, focusing on representation on both sides of the camera among the top 200 films released in 2018 and 2019.Like the 2019 report and the 2018 edition before that, the study’s authors have concluded that women and people of color are getting more opportunities in Hollywood, but remain woefully underrepresented. February 25, 2015 – The Bunche Center released its second annual Hollywood Diversity Report examining diversity and the bottom line in the entertainment industry. He was also the principal investigator on “The African American Television Report,” released by SAG in 2000. Privacy Policy | Future studies will take more-current data into account, but there will always be a lag, says Hunt, because of the large size of the database and the complexity of analysis. The second annual Hollywood Diversity Report, commissioned by UCLA’s Ralph J. Bunche Center for African American Studies, has been released and reveals that diversity in the entertainment industry is well behind the demographics, according to its author. Hunt is the author of the "Hollywood Writers Report,” an ongoing analysis for the WGA focusing on employment, access and earnings among television and film writers. | Do Not Sell My Personal Information For any HDR media inquiries, please contact Jessica Wolf at jwolf@support.ucla.edu. For Hollywood it also presents […] Continue reading “And all areas still have a long way to go.”. Action items associated with each essential practice are outlined in this report. diversity and the bottom line in the Hollywood entertainment industry. We also speak on panels at industry conferences, host our own panels at industry events like Sundance, co-organize parties for movie and television premieres, and more. Last year, Emerson partnered with the Hollywood Reporter on the Young Executives Diversity Initiative, a fellowship that recruits promising high school students from disadvantaged neighborhoods in and around Los Angeles, and provides them with mentoring, coaching, and internships in order to help them with the college application process. Only 5 percent of Emmy-winning comedies and dramas on broadcast TV from 2011­-12 were minority-created, and a single show — Shonda Rhimes’ Grey’s Anatomy — accounted for that entire share. February 12, 2014 . Well, we have good news and bad news from the 2020 UCLA diversity report. “The gains in television during the past six years are due to the explosion in original programming,” noted Hunt. “Despite notable gains for the group since the previous report (particularly in television), people of color remained underrepresented on every industry employment front in 2016-17,” the report said. “When you reflect the diversity of the American scene, you do better.”, STUDY: Two-Thirds of U.S. The three major agencies represented more than two-thirds of the writers, directors and lead actors in the 172 leading films in 2011. Hollywood Diversity Gains in TV but Falls Short in Movies ... according to a report issued Thursday by the Ralph J. Bunche Center for African American Studies ... dean of social sciences at UCLA. Please direct any questions about the reports to Dr. Ana-Christina Ramón, Director of Research and Civic Engagement for the Division of Social Sciences, at acramon@ss.ucla.edu For Hollywood to be a more inclusive and diverse industry, companies need to implement a five-point strategy for hiring, sponsoring and promoting minorities and women — especially women of color — a new UCLA study suggests.. Hollywood Diversity Report 2019 This report is the sixth in a series of annual studies produced by UCLA’s Institute for Research on Labor and Employment (IRLE) to explore relationships between diversity and the bottom line in the Hollywood entertainment industry. The Hollywood Reporter has reportedly had an ongoing clash with its parent company over its own reporting on players in the entertainment industry with business ties with the media conglomerate. The study, published today, was drafted by the authors of UCLA’s Hollywood Diversity Report. It’s their preferred platform, so diversity is a must.”. In UCLA’s 2019 Hollywood Diversity Report (which can be read here), they evaluated 200 top-grossing films from 2019. 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THE HOLLYWOOD REPORTER is a registered trademark of The Hollywood Reporter, LLC. Your gift will make a difference! FACEBOOK A UCLA study released Wednesday slammed the entertainment industry for its persistent and dramatic underrepresentation of minorities and women onscreen and … Despite audience yearnings for change, the history of diversity efforts in Hollywood suggests that the industry’s diversity problem will not simply correct itself. “My basic take is that TV is improving more for minorities and women than film,” said Dr. Darnell Hunt, dean of social sciences at UCLA. And millennials are the ones consuming digital shows. In UCLA’s 2019 Hollywood Diversity Report (which can be read here), they evaluated 200 top-grossing films from 2019. “The best and the whitest” was how host Neil Patrick Harris described the Hollywood elite being honored at the Feb. 22 Academy Awards ceremony. The reports primarily examine the relationship between diversity and the bottom line in the entertainment industry. UCLA’s 2020 Hollywood Diversity Report is the seventh in a series of annual studies produced by the university’s Institute for Research on Labor and Employment. When we think of "diversity", we typically think of what I would call demographic diversity: race, age, gender, nationality, religion, etc. The annual film diversity report by the USC Annenberg Inclusion Initiative reviewed the top 100 films of each year from 2007 to 2017. Since the release of the report's first phase last February, it has generated national and international media attention, and has led to conversations with major networks and studios about how to improve diversity both in front of and behind the camera. Yet minorities accounted for only 1.4 percent of these creators and 5.5 percent of these leads during the 2011­12 broadcast season. Adults Say They Go to the Movies Less Often. “Despite films like ‘Wonder Woman’ and ‘Black Panther,’ you still have the same people in the executive suites,” he noted. The findings come at a time of increasing diversity in the U.S., with minorities outpacing whites as consumers of entertainment. The report points out that the nation consisted of nearly 40% minorities in 2017– the last year examined — and states the percentage will only increase in the coming years. Programming created by women fared only slightly better. STUDY: Percentage of Women Working Behind the Scenes in Film Drops Below 1998 Levels. And Patty […] Hunt also pointed out that new evidence supports findings from earlier reports that America’s increasingly diverse audiences prefer diverse film and television content.

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